Sunday, December 22, 2002

Travel Feature: "Cruisin' With Disney"

CRUISIN' WITH DISNEY - THE THERMOMETER SAID IT WAS 80 DEGREES. THE CALENDAR SAID IT NEARLY CHRISTMAS. MUST BE VACATIONING IN THE ISLANDS...WITH A FEW CHARACTERS.
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Greensboro News & Record (NC)-December 22, 2002
Author/Byline: JANET BRINDLE REDDICK Staff Writer
Edition: ALL
Section: TRIAD/STATE
Page: I2

        The only thing better than drinking a frozen pina colada on a white sandy beach while staring out at sparkling topaz water is sharing the adventure with your loved one.

        Or Mickey Mouse.

        You may not think of Walt Disney's main mouse as a romantic guy. After all, he and Minnie have been an item for nearly 75 years, and still she's without an engagement ring, a wedding or little mice.

        But the big cheese is making up for it by giving Minnie a continuous honeymoon. And on every voyage, he invites 2,400 of his closest friends.

        My husband Jay and I were lucky enough to be on a three-night cruise on the Disney Wonder in early December - just about the time Greensboro's first winter ice storm paralyzed the city.

        We felt just a little guilty dipping our toes into the warm waters of the Bahamas, in a string of islands known as the Abacos, while friends and family back in Greensboro were suffering without power after the ice storm. Thankfully, the Bahamian rum in our frozen concoctions was able to soothe our concerns.

        The thermometer said it was 80 degrees. The calendar said it was nearly Christmas. For Christmastime sailings, the crew goes overboard with holiday cheer. The four-story grand entryway was decked to the decks with holly, garland, red bows and Christmas trees. It seemed like every last public space in the 964-foot vessel had a holiday surprise.

        A 1,200-brick gingerbread house was displayed on the promenade deck: the largest one afloat, they said.

        Yuletide character greetings were plentiful, too. I met Mickey and Minnie in their beach clothes, and in red-and-green formal wear. Christmas Goofy and Chip and Dale were guests. And, of course, the Disney Princesses were available for photos. But none of the characters were jumping out at you around corners. They were accessible to those that wanted to see them, but you don't have to be a fan of the cartoons to enjoy the trip.

        You just have to be a fan of architecture, craftsmanship and classic beauty.

        Joe and Elizabeth Eades from St. Louis were thrilled when they boarded the 83,000-ton floating city for their first cruise.

        A floating Wonder

        ``We walked on the ship and just gasped,'' Elizabeth Eades said of the ship, both inside and out.

        Mike Orszula, who came from Chicago with his wife Lenore, agreed that the ship was a renaissance boat. He said when the Wonder docked, passengers on other ships experienced ``boat envy.''

        ``They were just staring at our boat,'' Orszula said. The couple was taking a three day cruise before a stay at Walt Disney World in Orlando. They both said they'd definitely cruise again.

        They aren't alone. According to the Cruise Lines International Association, more than 2 million North American vacationers cruised between July and September of this year. The nonprofit group representing 24 cruise lines says this is a record-setting pace for the year.

        There were plenty of people on our voyage, and the one thing we liked the most about the design of the ship was the separate areas for different ages. The children's areas were truly for kids, family areas could be enjoyed by everyone and adult areas were off limits to those under 18.

        ``The staff worked really hard to please them all,'' he said. ``The kids had so much to do.''

        Pleasing the adults was easy, too. Jay and I spent a lovely afternoon in the spa, having a mud and sauna treatment. We lost at bingo. I beat him at ping-pong. We sang along with the dueling piano players. And though we missed some of the shows and activities - you simply can't do everything - all of the performances we did see were great.

        ``The entertainment was fantastic,'' Lenore Orszula said after seeing the finale production in the grand Walt Disney Theatre called ``Disney Dreams.''

        The story is about a young girl who learns the power of her dreams. It features many favorite Disney characters and is filled with special effects and talented singers and dancers.

        ``They really put on a first-class show,'' she said.

        It wasn't just the entertainment staff that was working hard, either. All of the cabin stewards, deck staff and kitchen crew were busy keeping the ship spotless - which was good, considering the recent spate of Norwalk-like viruses on cruise ships. Some of our friends were worried that we might become ill with the contagious stomach flu. We didn't. As far as we know, no one on our sailing had any problems either.

        Our room steward, Wemfi Salbini, came to our room to clean in the morning, and to turn down our bed in the evening. The Indonesia native even left chocolates on the pillow each night, and created fun animal sculptures out of towels. The outside room with no veranda was much larger than others I've traveled in, and each cabin has 1.5 baths.

        In public areas, tables were constantly wiped down. Gloved crew members served passengers from buffets to cut down on hand-to-hand contact between guests.

        Dinner in Technicolor

        ``That was another thing that really surprised me, was how clean it was,'' Joe Eades said.

        And that was good news for those of us who wanted to enjoy all of the cuisine on board.

        The Eadeses and the Orszulas were our tablemates, but each night we were in a different dining room. Our servers, Michael Barrozo and Jeff Critchley, followed us to each themed room, and the menu and the decor changes make for interesting meals.

        And we all tried something new. My husband and Lenore Orszula both tried escargot for the first time. They both thought it was OK, but they wouldn't go back for it.

        We all raved about the butternut squash soup in Animator's Palate - of course it didn't hurt that there was a show going on around us as the black and white animated characters on the walls slowly changed into color versions throughout the meal. Even the servers changed from black and white vests to technicolor versions during dessert.

        Then there was the flavorful salt-encrusted sea bass at Triton's. The Little Mermaid might think it was a little fishy to eat her buddies, but she would be thrilled that her dad was offering the world's best creme brulee for dessert.

        Our favorite was the chocolate souffle in the adults-only restaurant Palo. The intimate Italian restaurant requires a special reservation and there's a $5 extra charge to cover the tip for the servers. Palo is not one of the restaurants in the normal rotation.

        An oasis of relaxation

        Each night as we ate, we got to discuss the wonders we had discovered in port and onboard as well. My favorite part was Disney's private island, Castaway Cay, which was simply an oasis of sand and relaxation.

        Though it was a little rainy the morning we visited, the clouds eventually made way for the sun. The 1,000-acre island has a family beach, a teen beach and an adults-only beach. The sandy bottom of the ocean at the adults area called Serenity Bay is a little rockier than the family beach, but is also much quieter.

        The natural beauty of the island has been preserved, just as Walt Disney might have liked. He once said, ``I don't like formal gardens. I like wild nature. It's just the wilderness instinct in me, I guess.''

        To keep with that thought, cruise line officials say less than 10 percent of the 3.1-mile-long has been developed.

        Though we enjoyed just floating in the ocean on blue mats and tubes, the Eadeses were a little more adventurous: they enjoyed a ride on the back of a banana boat. It's a giant, yellow floating cylinder that you straddle like a horse. It is pulled by a fast speed boat.

        ``We had a blast,'' Joe Eades said.

        And that sentiment pretty well sums up our time on the ship. As we left our giant stateroom Sunday morning at 7 a.m., we wished we could be stowaways for another few days.

        Hey, Mickey: See ya real soon!

        Contact Janet Brindle Reddick at 373-7005 or jbrindle@news-record.com

Sunday, December 23, 2001

Travel: One on One with Disney's Brass

TALKING WITH DISNEY'S LEADERS
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Greensboro News & Record (NC)-December 23, 2001
Author/Byline: JANET BRINDLE REDDICK AND JAY REDDICK 
Staff Writers
Edition: ALL
Section: TRAVEL
Page: I2

        Though it was all started by a man and a mouse, there are thousands of people who have worked to continue the magic, entertainment and delight started by Walt Disney.

        During the kick-off event for 100 Years of Magic at Walt Disney World, several of the Disney honchos met with the media to answer questions about what it is like to run the operation that now employs more than 50,000 people in Florida.

        Many of these characters worked with Disney before his death in 1966. The rest of them have captured the spirit of what he wanted to do. Here's what they had to say:

        Roy Edward Disney

        As the nephew and son of the Disneys that started it all, Roy E. Disney grew up immersed in the Disney culture.

        ``I took it for granted,'' he said. ``But now, I feel such gratitude to be lucky enough to be a part of it all.''

        His favorite recent addition is the newest roller coaster ride at Disney-MGM studios that goes from zero to 60 mph in 2.8 seconds.

        ``I guess I'm a roller coaster freak,'' he joked.

        Roy Disney joined the Walt Disney Company in 1954, after working as an editor on the TV series ``Dragnet.'' Since then, he has been a writer, producer, director and vice president. He became a member of the board of directors in 1967.

        Roy, who offers credit to his father, Roy O. Disney, and his uncle, Walt Disney, was nominated for his own Academy Award for a 1959 short, called ``Mysteries of the Deep.'' He also worked on the Oscar-winning ``The Living Desert'' and ``The Vanishing Prairie,'' two of Disney's nature projects.

        Nowadays, Roy Disney thinks that his uncle would have had a ball with new animation technology.

        ``Boy, he would have had fun with that,'' Disney said. ``It would have been really fun to see where it took him.

        ``He was a creature of constant curiosity. That was one of the things that he had to make films,'' Roy Disney said of Walt.

        And as Disney World has grown up and expanded, Roy takes to heart something that his uncle would say.

        ``Walt said, 'We don't make movies for children. We make movies for the children in all of us.' ''

        Eric Jacobsen

        The magic of Disney is in the details.

        Such was the case during the renovation of the Hall of Presidents in the Magic Kingdom.

        Jacobsen said when George W. Bush was being added to the attraction, which features all of the presidents in audio-animatronic form, he and three colleagues went to Washington.

        Bush recorded the speech for them - twice. The White House provided Bush's exact measurements, so that the moving, talking stature could look as realistic as possible.

        ``We got photos of his watch, belts and shoes,'' Jacobsen said. ``We had samples of fabrics that he wears.''

        And though the audience can never see the watch that is on Bush's wrist from the theater in Liberty Square, it is identical to the engraved Timex Indiglo watch that he wears.

        ``We love that attention to detail,'' Jacobsen said.

        So it was that one of the imagineers on Jacobsen's team noticed that since Sept. 11, Bush began wearing a flag pin on his lapel.

        Disney's version of the Commander in Chief now also proudly wears the stars and stripes.

        ``It is really fun to do something so authentic,'' Jacobson said.

        Dave Smith, director of archives for the Walt Disney Company

        As the final authority of Disney history, Smith was used extensively as a resource for the exhibits of the 100 Years of Magic event.

        As a librarian at UCLA, Smith compiled an extensive bibliography in 1967 on Walt Disney. He spent a year researching all Disney publications and productions.

        The Disney Archives were later established on June 22, 1970, with Smith at the helm.

        ``It was difficult to decide what to include (in 100 Years of Magic),'' Smith said.

        Smith said he had lots of help from the Disney family, who donated artifacts, stories and recordings from Walt Disney's life.

        ``We wanted people to know that he was a real person,'' Smith said, ``and that he was the voice of Mickey Mouse for 20 years.''

        The 8,500-square-foot archives contain millions of documents, including 200 boxes of Walt Disney's personal correspondence.

        Treasures continue to be added to the archives as well. Roy Disney recently found Walt Disney's parents' marriage certificate in a box in his garage.

        It's just the newest part of the old history that Smith will be charged with preserving.

        Marty Sklar, vice chairman and principal creative executive of Walt Disney Imagineering

        Now in his 46th year at Disney, Sklar supervised the creation of Tokyo Disneyland, Disney-MGM Studios and Disney's Animal Kingdom. He worked closely with Walt Disney to bring his ideas to the public.

        ``Working with Walt was incredible,'' Sklar said. ``What fun he had creating things. He had a belief in family entertainment and a belief in quality.''

        So when Sklar is given a blank piece of paper to create new things in Walt's footsteps, he said it can be the most frightening thing in the world.

        ``Or it is the greatest opportunity in the world,'' Sklar said.

        As an employee of Disneyland's Public Relations Department at its 1955 opening, Sklar has seen it all.

        ``We always said that Disneyland was Walt's Magic Kingdom,'' Sklar said. And so, the first park at Walt Disney World was named.

        Rich Taylor, vice president of Walt Disney Entertainment and Costuming

        With more than 4,700 ``cast members'' under his watch at the Walt Disney World Resort, Taylor keeps awfully busy leading a team that creates, produces and operates all live entertainment.

        And with the 100 Years of Magic celebration, Taylor's days became even busier. Four new parades - one for each theme park - were created from scratch. Behind the scenes, there is a creative team of 250 people working to create parades.

        ``We worked for two years on 100 Years of Magic to come up with four new parades,'' he said.

        The idea for the Share a Dream Come True Parade at the Magic Kingdom came from a last-minute idea.

        Taylor said a member of his creative team was shopping at a store on Main Street in the Magic Kingdom, and he noticed the snow globes with characters inside. And boom - a new concept for a parade was born.


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